[YH-P.017] Gabriel Massan
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[1996]

Nova Iguaçu, Rio de Janeiro, Brasil
Vive e trabalha em Berlim, Alemanha

[EDUCAÇÃO]
  • Studies in Video Art, School of Visual Arts of Parque Lage (EAV Parque Lage), Rio de Janeiro, Brazil [2023]
  • Studies in Video Installation, School of Visual Arts of Parque Lage (EAV Parque Lage), Rio de Janeiro, Brazil [2023]
  • BA Social Communicatio, Minas Gerais State University (UEMG), Frutal, Brazil [2015-2018]
[SOLOS]
  • Third World: The Bottom Dimension, BOZAR, Palais des Beaux-Arts de Bruxelles, Brussels, Belgium [2025]
  • TBA (Em breve), Museu do Amanhã, Rio de Janeiro, Brazil [2025]
  • Terceiro Mundo: A Dimensão Descoberta, Pina Contemporânea, Pinacoteca do Estado de São Paulo, São Paulo, Brazil [2024]
  • How Do I Get There?, Project MIRE, Fonds Cantonal D'art Contemporain, Lancy-Bachet Railway Station, Geneva, Switzerland [2024]
  • Continuity Flaws: Rumors Of A Leak, TONO, Laboratorio Arte Alameda, Mexico City, Mexico [2024]
  • Continuity Flaws: The Loophole, Outernet Arts, Outernet Global, London, England [2023]
  • Third World: The Bottom Dimension, Serpentine North Gallery, Serpentine Galleries, London, England [2023]
[DUO]
  • Omoiyari, Keiken and Gabriel Massan, The Photographers’ Gallery, London, England [2022]
  • Estive Presente Em Testemunho, Gabriel Massan and Igi Ayedun, ETOPIA - Centre for Art and Technology, Zaragoza, Spain [2019]
[COLETIVAS]
  • 38º Panorama da Arte Brasileira: Mil graus (Em breve), SESC Campinas, Campinas, Brazil [2025]
  • TBA (Em breve), Galerie Imane Farès, Paris, France [2025]
  • 38º Panorama da Arte Brasileira: Mil graus, Museum of Modern Art of São Paulo, São Paulo, Brazil [2024]
  • Black Ancient Futures, Museum of Art, Architecture and Technology (MAAT) Lisbon, Portugal [2024]
  • Prix Ars Electronica Exhibition 2024, Lentos Kunstmuseum, Linz, Austria [2024]
  • Rayon Jouets, Hangar Y, Meudon, France [2024]
  • UNFOLDX, Culture Station Seoul 284, Seoul, South Korea [2024]
  • WORLDBUILDING: GAMING AND ART IN THE DIGITAL AGE, Centre Pompidou-Metz, Metz, France [2023]
  • WORLDBUILDING: GAMING AND ART IN THE DIGITAL AGE, Julia Stoschek Foundation, Dusseldorf, Germany [2023]
  • NOVA - Bienal RIO de Arte e Tecnologia, Museu do Amanhã, Rio de Janeiro, Brazil [2023]
  • FILE Festival, Centro Cultural FIESP, São Paulo, Brazil [2023]
  • Equal eSports Festival, Cologne, Germany [2023]
  • Voltaje, Salón de Arte y Tecnología, Bogotá, Colombia [2023]
  • Guided Tour, Pivô Satélite Digital Commission Artist, São Paulo, Brazil [2023]
  • Hello World, Meta Space, Art Basel Miami, Miami, United States [2022]
  • X Virtual Incubator, X Virtual, X Museum, Beijing, China [2022]
  • CHAOS:CALM, Bangkok Biennale Online Pavillion, Bangkok, Thailand [2022]
  • To Born, To Die and Thus To Reproduce, Rotten TV, Jupiter Artland (Scotland), Cemeti Institute for Arts and Society (Indonesia) and Casa do Povo (Brazil), supported by The British Council Digital Collaboration fund [2022]
  • Artist Focus, Dortmund, Germany [2022]
  • Ultramarin, Tana Art Space, Venice, Italy [2022]
  • Possible Agreements, Mendes Wood, Brussels, Belgium [2022]
  • WORLDBUILDING: GAMING AND ART IN THE DIGITAL AGE, Julia Stoschek Foundation, Dusseldorf, Germany [2022]
  • NFT Art Berlin, Bright Moments Gallery, Kraftwerk, Berlin, Germany [2022]
  • Canon!, Hypermodernity, Frieze, London, England [2022]
  • It Started With We, NOW Gallery, London, England [2022]
  • Por Detrás Da Retina, Instituto Inclusartiz, Rio de Janeiro, Brazil [2022]
  • Backroom F(r)ictions, Forever Imbricated, Centre Culturel Suisse, Paris, France [2022]
  • Water Marks: We Must Remember, Cromwell Place. London, England [2021]
  • Open Sesame: A Photophobic Experiment, Bärenzwinger Berlin, Berlin, Germany [2021]
  • Pyramid of Arts Open Show Selected Artist, Leeds, England [2021]
  • Azoome, Vienna Town Hall. Vienna, Austria [2020]
  • IMS Convida, Instituto Moreira Salles (IMS), São Paulo, Brazil [2020]
  • Proxy Saliva From A Ranked Souvenir, Ypuccko Gallery, The Wrong Biennale [2020]
  • Monster High, Olhão, São Paulo, Brazil [2020]
  • Creative Code Art Festival, in partnership with New Media Art at Lightbox, New York City, United States [2020]
  • A Perplexa, Centro de Artes UFF, Niterói, Brazil [2019]
  • Mostra Textão, Museu da Diversidade Sexual (MDS), São Paulo, Brazil [2018]
  • Vesícula, Espaço Breu, São Paulo, Brazil [2018]
  • Noite Estranha, Despina, Rio de Janeiro, Brazil [2018]
  • Trans-Image, EAV Parque Lage, Rio de Janeiro, Brazil [2018]
[NOMEAÇÕES]
  • Artist Of The Year, PIPA Prize, Brazil [2024]
  • CIRCA PRIZE 2024, CIRCA, United Kingdom [2024]
  • DAZED 100, United Kingdom [2022]
  • Class Of 2021, CIRCA, United Kingdom [2021]
[RESIDÊNCIAS]
  • Arts Explora, Cité Internationale Des Arts, Paris, France [2023]
  • FACT Online Residency Program, London, England [2023]
  • WILD XYZ Online Residency Program, United States [2023]
  • Unfinished Camp, during La Biennale di Venezia, Venice, Italy [2022]
  • FUGA Residency Program, ETOPIA - Centre for Art and Technology, Zaragoza, Spain [2019]
  • Oi Futuro Urban Interventions Residency Program, Oi Futuro Cultural Centre Laboratory, Rio de Janeiro, Brazil [2018]
[TALKS]
  • Black Box White Cube XR, Festspielhaus Hellerau, Dresden, Germany [2024]
  • Rio Innovation Week BRIFW, Pier Mauá, Rio de Janeiro, Brazil [2024]
  • Bozar Afropolitan Festival, BOZAR, Palais des Beaux-Arts de Bruxelles, Brussels, Belgium [2024]
  • In Conversation: Gabriel Massan, Tamar Clarke-Brown and Hans Ulrich Obrist
    Presented by Serpentine Galleries at Institut Français du Royaume-Uni, London, England
    [2023]
  • Podcast Em Obras, alongside Diane Lima, 35a Bienal de São Paulo, Fundação Bienal de São Paulo, São Paulo, Brazil [2023]
  • Collaboration, Community & web3 in 'Third World: The Bottom Dimension', Tezos Twitter Space [2023]
  • Prototyping a Different Loop, alongside Tamar Clarke-Brown, Voltaje, Salón de Arte y Tecnología, Bogotá, Colombia [2023]
  • Serpentine Podcast: REWORLDING, Serpentine Galleries, London, England [2023]
  • The Mycological Twist, alongside OMSK Social Club, Hebbel Am Uffer (HAU), Berlin, Germany [2023]
  • It's Natural to Be a Machine?, alongside Dmitri Cherniak, IX Shellsand, and Hans Ulrich Obrist, DLD Conference, Munich, Germany [2023]
  • NFTs: Worlding Differently, From Performance in Code: Deciphering Value in Generative Art, Powered by Tezos, alongside Itzel Yard, Mimi Onuoha, Sutu Campbell, Rodell Warner, and Tamar Clarke-Brown, co-curated by Serpentine Galleries during Art Basel Miami Beach 2022, Miami, United States [2022]
  • UCL Futures EVOLVE: Virtual Panel On The Metaverse, drew upon Serpentine’s Future Art Ecosystems 2: Art x Metaverse, alongside Danielle Brathwaite-Shirley, Tamar Clarke-Brown, and Luke Pearson, UCL Art Futures, and the annual Bartlett degree show, London, England [2022]
  • Encounters in Art & Technology, alongside Holly Herndon, Tamar Clarke-Brown, and Hans Ulrich Obrist, hosted by Bloomberg Philanthropies and Serpentine Galleries during La Biennale di Venezia 2022, Venice, Italy [2022]
  • Gaming Agency, alongside Alexander Kluge, Hans Ulrich Obrist, and Keiken
    DLD Conference, Munich, Germany
    [2022]
[PALESTRAS]
  • Gabriel Massan Lecture, MA Digital Direction, Royal College of Art, London, England [2024]
  • Monday Guest Lecture, Central Saint Martins, London, England [2024]
  • Lecturer in Immersive Media and 3D Computer Animation, London College of Communication, University of the Arts, London [2024]
  • Snap Lens Lab Royal College of Art, London, England [2023]
  • Continuity Flaws, Infinite Ecologies Marathon: The Prelude, Serpentine Galleries, London, England [2023]
  • Artist Talk, BODYSTACK, A Summit on Our Bodies In The Platform Stacks
    MA Fashion and Communication, London College of Fashion (UAL), London, England
    [2023]
  • Gabriel Massan Lecture and Workshop, MA Digital Direction, Royal College of Art, London, England [2023]
  • Ball Of Terror: Guided Tour, X Virtual, X Museum, Beijing, China [2023]
[PRÊMIOS]
  • Award of Distinction, Interactive Art+ category, Ars Electronica Prize, Linz, Austria [2024]
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